Our online tools are purpose-built
so you can document the data around
the artwork of an individual artist
and make that data usable for others
to discover and reuse
as soon as verifiably accurate data about artworks are ready to release
they can be published
they can be put to work in organizing exhibitions
they are essential to the practice of valuating works of art
they play a vital role when working artists promote themselves
they can be used to create teaching tools and interactive displays
and they are indispensable when producing an authoritative catalogue raisonné
“The panOpticon team combines the professionalism, knowledge, and understanding of the scholarship required to effectuate a substantial project such as ours, while providing a user-friendly interface for those who are new to this kind of online environment.
“I would add that they go out of their way to respond to our myriad questions and concerns.”
Project Director and Co-Author
The Paintings of Paul Cézanne: An online catalogue raisonné under the direction of Walter Feilchenfeldt, Jayne Warman and David Nash
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Above: Paul Cézanne (1839-1906)
La Montagne Sainte-Victoire vue de Montbriand
Alternate titles: La Montagne Sainte-Victoire; La Montagne Sainte-Victoire vue au-dessus de Montbriand; La Montagne Sainte-Victoire vue de Bellevue; Landscape – Paysage du Midi; Mont Sainte-Victoire; Mont Sainte-Victoire and the Viaduct of the Arc River Valley; Montagne Sainte-Victoire Seen from Montbriand; Sainte Victoire
Alternate dates: Rewald: (511) 1882–85; Venturi: (452) 1885–87; Venturi revised: 1886–87; Ratcliffe: after 1885
Oil on canvas
25 13/16 x 32 3/16 in. (65.5 x 81.7 cm)
Vollard A stockbook: no. 3753, huile; aqueduc avec au fond Ste. Victoire; à gauche massif de pins, au milieu pin parasol, 65 x 81 cm (250 frs)
The Metropolitan Museum of Art, New York (H.O. Havemeyer Collection, Bequest of Mrs. H.O. Havemeyer).