collect, document, manage all your research
and release up-to-date, usable information
about the work of an individual artist
“We are thrilled with our final product. We would not have been able to create this catalogue without their help.”
Principal and Co-Owner, Mitchell-Innes & Nash, New York
The Paintings, Watercolors and Drawings of Paul Cezanne: An online catalogue raisonné under the direction of Walter Feilchenfeldt, Jayne Warman and David Nash
the panOpticon information management system is specially built to enable researchers to collect and document all the available data around the artwork of an individual artist and to make the resultant information available for others to discover, access, interpret, and reuse.
Establishing and managing control over this information is critically important for artists, their family members and their heirs, artist’s studio managers, artist’s estate executives, artist-endowed foundation managers and board members, gallerists, and gallery/artist liaison managers, service providers for artists’ estates, art lawyers and tax advisors, and all those who have a stake in the industry.
Verifiably accurate information about artworks and their histories can be published, it can be used to create educational resources and interactive displays, it is indispensable when organizing exhibitions, it is of great help to working artists who are promoting themselves, and it is an essential ingredient in the production of an authoritative catalogue raisonné.
Accurate information is vital to the security and the sustainability of an artist’s legacy.
|Please note: It takes more than a great management system to produce catalogues raisonnés —
“…they exist at the intersection of the scholarly, legal and collecting art worlds.” *
* — IFAR (International Foundation for Art Research)
panOpticon powers the catalogues on these websites —
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Paul Cézanne (1839-1906). La Montagne Sainte-Victoire vue de Montbriand, 1882–85.
Alternate titles: La Montagne Sainte-Victoire; La Montagne Sainte-Victoire vue au-dessus de Montbriand; La Montagne Sainte-Victoire vue de Bellevue; Landscape – Paysage du Midi; Mont Sainte-Victoire; Mont Sainte-Victoire and the Viaduct of the Arc River Valley; Montagne Sainte-Victoire Seen from Montbriand; Sainte Victoire
Alternate dates: Rewald: (511) 1882–85; Venturi: (452) 1885–87; Venturi revised: 1886–87; Ratcliffe: after 1885
Oil on canvas, 25 13/16 x 32 3/16 in. (65.5 x 81.7 cm)
Vollard A stockbook: no. 3753, huile; aqueduc avec au fond Ste. Victoire; à gauche massif de pins, au milieu pin parasol, 65 x 81 cm (250 frs)
The Metropolitan Museum of Art, New York (H.O. Havemeyer Collection, Bequest of Mrs. H.O. Havemeyer).