museums

Fitz Henry Lane Launched


Fitz Henry Lane

News Release: Fitz Henry Lane Online

GLOUCESTER, MA – The Cape Ann Museum is pleased to announce the public launch of its
interactive website, Fitz Henry Lane Online, on February 15, 2016. Fitz Henry Lane (1804-1865) is regarded as one of the masters of 19th century American painting. This innovative online resource is comprised of several components including: a catalog of Lane’s paintings, drawings, and lithographs; an extensive database of historical information, images, and materials related to the subjects within Lane’s pictures; new scholarly essays; and a bibliography and archive of publications. The rich historical material is connected to the relevant paintings through easily clickable links. The 319 works currently on the site include all known Lane pictures in public collections. The Cape Ann Museum holds the single largest collection of Lane’s works, and the Museum hopes that this website will function as a central repository for information about Lane and a key resource for anyone (student, scholar, or museum visitor) interested in 19th century American art or history.

According to Project Director Sam Holdsworth:

A primary goal of the site is to highlight the marriage of Lane’s extraordinary attention to the details of the scenes he depicted with the formal aesthetics and sheer beauty of his artistic accomplishment. Almost every work tells a multi-layered story about the evolution of the maritime world of coastal New England as well as tracks his progression as an artist from the specific to the ephemeral as his work matured.

The project will continue to expand to include Lane paintings from private collections and additional scholarly essays and historical materials. Owners of Lane pictures, and individuals with information about Lane works, are encouraged to contact the project using the online form or completing the object information and submission agreement forms:
www.fitzhenrylaneonline.org/submission/

In conjunction with the website, the Museum is organizing a special exhibition of Lane’s lithographs featuring works from its permanent collection and those borrowed from other institutions. This wiil be the first time many of Lane’s lithographs will be shown together. Drawn on Stone: The Lithographs of Fitz Henry Lane will open on October 7, 2017 and run through March 4,2018. An illustrated catalog will accompany the exhibition and a symposium is scheduled for October 27-28, 2017.

The Cape Ann Museum, located in the heart of Gloucester, MA, celebrates the art, history and culture of Cape Ann—a region with a rich and varied culture of nationally significant historical,
industrial and artistic achievement. The Museum’s collections include fine art from the 19th century to the present, artifacts from the fishing & maritime and granite quarrying industries, textiles, furniture, a library/archives, and two historic houses. For more information visit:
www.capeannmuseum.org.

This project has been produced by the Cape Ann Museum with funds raised in its recent capital campaign and with major support provided by the Wyeth Foundation for American Art, the
National Endowment for the Arts, and the Institute ofMuseum and Library Services. Additional funding was received from the Danversbank Charitable Foundation and the John H. and H. Naomi Tomfohrde Foundation. The Cleveland Museum of Art contributed conservation studies
and the Museum of Fine Arts, Boston provided curatorial and conservation assistance.

The website design and database software are by panOpticon.

Above : Fitz Henry Lane, Gloucester Harbor from Rocky Neck, 1844. Oil on canvas 34 x 45 3/4 in. (86.4 x 116.2 cm) Signed and dated lower right: “F H Lane, 1844.” Cape Ann Museum, Gloucester, Mass., Gift of Mrs. Jane Parker Stacy (Mrs. George O. Stacy), 1948 (1289.1a)

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Joaquín Torres-García at MoMA


Construction in White and Black, 1938. Torres-García in his Montevideo studio, c.1939

Joaquín Torres-García: The Arcadian Modern

The Museum of Modern Art New York October 25, 2015 – February 15, 2016

This major retrospective of Joaquín Torres-García (Uruguayan, 1874–1949) features works ranging from the late 19th century to the 1940s, including drawings, paintings, objects, sculptures, and original artist notebooks and rare publications. The exhibition combines a chronological display with a thematic approach, structured in a series of major chapters in the artist’s career, with emphasis on two key moments: the period from 1923 to 1933, when Torres-García participated in various European early modern avant-garde movements while establishing his own signature pictographic/Constructivist style; and 1935 to 1943, when, having returned to Uruguay, he produced one of the most striking repertoires of synthetic abstraction.

Torres-García is one of the most complex and important artists of the first half of the 20th century, and his work opened up transformational paths for modern art on both sides of the Atlantic. His personal involvement with a significant number of early avant-garde movements—from Catalan Noucentismo to Cubism, Ultraism-Vibrationism, and Neo-Plasticism—makes him an unparalleled figure whose work is ripe for a fresh critical reappraisal in the U.S.

Find out more about this remarkable artist through the Joaquín Torres-García Catalogue Raisonné. Designed by panOpticon, the online catalogue represents the culmination of over forty years of study led by Cecilia de Torres. The visually stunning and fully integrated site includes innovative features such as links between the works, the collections, the exhibitions and the published references; advanced filtering and search capabilities; the capacity to look at the works in sizes relative one to the other; as well as the ability for the user to see early exhibitions virtually recreated. Gathered together for the first time, the information in this unique website affords scholars, collectors, and the general public never-before access to Torres-García’s expansive artistic production.

Watch MoMA’s press remarks “Joaquín Torres-Garcia: The Arcadian Modern” on youTube.

Above left: Joaquín Torres-García. Construction in White and Black. 1938. Oil on paper mounted on wood, 31 3/4 x 40 1/8″ (80.7 x 102 cm). The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros in honor of David Rockefeller. Photograph by Thomas Griesel. © Sucesión Joaquín Torres-García, Montevideo 2015

Above right: Joaquín Torres-García in his Montevideo studio, c.1939.

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panOpticon has developed innovative digital cataloging tools and a range of effective ways to make cultural content available for use online. Whether you are starting a catalogue from scratch, or looking for a more robust product for your current data, we have a software package that will meet your needs. Contact us to schedule a demonstration.

Check out our blog — catalog(ue) — a forum whose purpose is to help close the gap between traditional cataloging practices and the challenges we face when we use developing digital technologies to publish online.

Lane Website Receives NEA


Arthur Dove, Plant Forms, 1911–12

Fitz Henry Lane Online Catalogue Receives Grant from the NEA

The Cape Ann Museum in Gloucester, Massachusetts is among the 2014 Grant recipients recently announced by the National Endowment for the Arts. The Museum is receiving funds

“to support development of the website, Fitz Henry Lane Online. This free and interactive searchable database will center on the paintings of 19th Century American painter Fitz Henry Lane (1804–65). Using the art objects as its foundation, the website will enable the viewer to explore the social, commercial, maritime, and artistic history of mid-19th Century New England by bringing together rare documents, high-quality images, and links to external resources from the collections of several different institutions.”

This important website is also receiving generous support from the Andrew and Betsy Wyeth Foundation for American Art.

panOpticon is proudly designing and building the Fitz Henry Lane website.

Learn more about the project.

Above: Fitz Henry Lane, Gloucester Harbor at Sunrise (detail), c.1850, oil on canvas,
Cape Ann Museum, Gloucester, Mass., Gift of Judge Lawrence Brooks, 1970

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panOpticon has developed innovative digital cataloging tools and a range of effective ways to make cultural content available for use online. Whether you are starting a catalogue from scratch, or looking for a more robust product for your current data, we have a software package that will meet your needs. Contact us to schedule a demonstration.

Check out our blog — catalog(ue) — a forum whose purpose is to help close the gap between traditional cataloging practices and the challenges we face when we use developing digital technologies to publish online.