the artist’s legacy is in your hands

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 Mary Cassatt. Sunbath .

“The panOpticon staff combines superior programming knowledge with a profound understanding of what a catalogue raisonné is and how it should function for a wide range of audiences.

“panOpticon has done far more than create an online system that suits our needs, they have transformed the catalogue raisonné into a 21st Century process.”

Pamela A. Ivinski
Research Director
Mary Cassatt Catalogue Raisonné Project

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The Artist Estate: A Handbook for Artists, Executors, and Heirs is a must read for anyone with a stake in the art industry. Edited by Loretta Würtenberger, co-founder of The Institute for Artists’ Estates in Berlin, this invaluable book has a chapter entirely devoted to the catalogue raisonné. In it she says —

Today, a catalogue raisonné should be digitized; it almost goes without saying that online databases can be expanded and updated easily. Moreover, the scope of the online catalogue raisonné should encompass the following:

1. Links to internal archival material
2. Links to documentation such as checklists and exhibition photographs
3. The integration of video and audio materials
4. The possibility of incorporating negative or inconclusive results, so that the limits of previous research are well understood
5. Links to external sources such as archival holdings and press articles or other publications, as well as public search engines and databases.”

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Take a look at these published online catalogues —

Ion Bitzan

Paul Cézanne

Edwin Dickinson

John F. Folinsbee

Sam Francis

Friederich Gräsel

Fitz Henry Lane

Philippe Smit

Tom Thomson

Joaquín Torres-García

Jack Tworkov

Louis Van Lint

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read customer testimonials

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Top of page: Mary Cassatt. Sketch for “The Sun Bath.” 1898 Alternate titles: Mother and Child; Sketch for the Sun Bath; Study for “The Sun Bath.” Oil on canvas. 15 1/8 x 22 7/8 in. (38.42 x 58.1 cm). Signed lower right: MC. Georgia Museum of Art, University of Georgia; extended loan from the Joan M. MacGillivray 1957 Trust GMOA (2002.115E)
Photo: © Michael McKelvey

Above: Tom Thomson. Open Water, Joe Creek. Oil on wood panel. 8 7/16 x 10 9/16 in. (21.5 x 26.8 cm). Inscription verso: l.l., TOM THOMSON; u.m., in ink, OPEN WATER / JOE CREEK; u.l., in graphite, Not for Sale; c., in graphite, Not for Sale-JM.; r.c., in graphite, FAIRLEY; c., in ink, BARKER FAIRLEY; u.m., label, Open Water-Joe Creek / 14 (circled); label, AGT Dec 30/40; u.r., label, SMITH COLLEGE / MUSEUM OF ART / LOAN 61:41. Thomson Collection @ Art Gallery of Ontario

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